Archive for March, 2018

SAM LLANAS IS BACK WITH A SURPRISE CALLED “RETURN OF THE GOYA, PART 1”

March 30, 2018

You can’t beat a personalized copy of the new Sam Llanas CD Return Of The Goya, Part 1. In the name of political correctness, no international grocery aisle comments please. Photo courtesy Sam Llanas

It’s great to have Sam Llanas back on the blog! We’ve covered Sam since his debut solo album 4a.m. which remains one of my favorite pieces of work to date. I think I need to break it out again as I need to get a lot of things in the studio done (midi up live tracks, finish writing the last song on my last album…) and I LOVE to work late at night.

Llanas first came to my attention through Gary Tanin, whom I became associated with through the Roger Powell album Blue Note Ridge and then again with Fossil Poets. (Don’t go on your anti-Utopia 2018 reunion tour, Jeff, we know Powell isn’t participating and you doubt replacement Ralph Schuckett, while an extraordinary player with Todd Rundgren’s Utopia, this tour promotes the newly released box set of material with Powell, NOT Schuckett, the harmonic sensibilities employed by Powell will be long lost and they are an integral charm with the REAL Utopia. Don’t be fooled by imitations! Save it for another blog…) Then Tanin had the idea of getting me involved with both Llanas and a project Llanas became involved in, a two man show with Doug Vincent detailing Vincent’s own tragic encounter with addiction and suicide, punctuated by profound performances by Llanas from his solo works.

I identified with the author of the show, Doug Vincent, so much, it became a labor of love to promote his show A Day For Grace. Check the blog search field to see if I migrated them from the syndication to the new site. I am pretty sure they are there. You can also search Sam Llanas, and see all the reviews in our history. Needless to say, Llanas is a favorite here. A particular favorite of ours here at the blog is the Absinthe album. Those songs are so dark, they immediately draw in a death hag like me (even learned a couple of tunes on guitar, fun stuff!).

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BOULEBLOG OPENS A NEW PATHWAY TO ALTERNATIVE REVIEWS WITH OFF THE RECORD; THIS TIME, THE VAPORS LIVE AT THE GUILDFORD CIVIC HALL

March 9, 2018

The cover of this illusive release. Photo courtesy LiveGigRecordings

This is a thrilling new opportunity for us here at BouleBlog. With the creation of this new category, Off The Record, we can bring you reviews of unique recordings not found at Amazon or your local record store. In essence, yes, these are what the population may call bootlegs. But during the listening process I will determine if the recording is WORTH reviewing and if not, you will be alerted that what was promoted through my Facebook equivalent to this blog, BouleBlog the group: (https://www.facebook.com/groups/bouleblog/) is, in fact NOT worth reviewing. I find it tiring to just type over and over “The audio is unintelligible due to a poor live mix”. I usually post photos of the upcoming acts there, to give a tip-off to those who know about the Facebook group and are members. If you’re on Facebook, request membership to the group and I will approve it unless you are a bot.

However, I can guarantee the recordings I review the first few times will be quality as the source (to be revealed later) has proven to be a reliable one for board recordings (again, for the uninitiated, board recordings are made from a recording that went straight from the concert’s mixing console directly into a recording device) so the next few of these Off The Record reviews will be quality.

We begin this feature with a band who left a distinct mark on the zeitgeist with their breakout single “Turning Japanese”. The pity behind this band is they had such important deep cuts on both their albums New Clear Days and the moving Magnets. The title track for Magnets was a powerful ballad-turned-anthem that details an assassination, even right down to the exit line of one of the later choruses ‘Kennedy’s children are magnets…’.

Then there was the effervescent “Waiting For The Weekend”, a song every working person can relate to. They even give a nod in the direction the United States is taking with the song “Civic Hall”, about being harassed by bobbies (on this side of the pond, we call them cops, pigs, fascists, Nazis, bacon, donut munchers, fat-bags, militant douchebags, oh how I’d love to go on) outside the local civic hall (ironic that this live show was recorded at the Guildford Civic Hall, hometown of the Vapors and most likely the location for the story in the song).

I am not going to go into part-by-part analysis of this performance. I will highlight spots within the songs, maybe even do some (much feared) interpretation of the songs like those examples above. The point of these reviews is to cue the readers to music they may never have known existed before.

It’s not like you can advertise unauthorized recordings too loudly even though most of the major labels no longer have the teeth to fight over royalties, copyright, ownership. Thanks to the spanking Robert Fripp and Sid Smith gave the record label(s) over the illegal distribution of King Crimson downloads.

All the major labels are welcome to sue me if they feel I have violated their copyright reserve. They can have 50% of my bankruptcy.

Now let’s do up our shag mullet haircuts and get out our Gibson SGs  and our Rickenbacker bass and jam out to some Vapors!

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