Archive for July, 2018

ROXY MUSIC- A LOOK AT THE PREMIER PROG-GLAM BAND WITH THE VIDEO STORY MORE THAN THIS

July 21, 2018

Gaze upon the glam! You can with the DVD More Than This, The Story Of Roxy Music. Photo courtesy of Amazon

My long time mentor back in the 80’s (Storkasaurus Maximus) had introduced me to one Brian Peter George St John le Baptiste de la Salle Eno, RDI, mostly through his Ambient works. If you feel like you are harried, unravelling, uncontrollable, put everything you have aside and just listen to any of his Ambeint series, Music For Airports is a particular pulse calmer. A more commercial route to Avant Eno would be his Music For Films, Vol. 1. There are shorter “songs” with equal amounts of signal-mutation, time-altering melody mangling but in three to five minute increments.

So Imagine my shock when I saw my first Roxy Music video (Virginia Plain) and I was hooked. Then, as the shots hop around the band FOLY FUCK THAT’S ENO! A long blond-ish-colored hair, heavy glam make up, and an outfit to rival future co-conspirator, the late David Bowie. And if that weren’t enough, and by gawd it ought to be, every time the song comes to the measure or so of rest, it’s Eno raping a synthesizer unaccompanied!

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OFF THE RECORD: FRIPP/SYLVIAN CAUGHT LIVE, BUT WITHOUT DAMAGE!

July 3, 2018

This is what you want if you want to hear some alternate versions of Sylvian/Fripp songs from the live CD ‘Damage’.

Robert Fripp and David Sylvian collaborated in the 2000’s to bring us two albums, The First Day, and the follow-up live disc Damage. Those are the two commercial releases that the combo put out. However, we have our hands on an off-market release called “Live From Massey Hall” from our supplier of all things off-market, Live Gig Recordings (look for their link later on in this review).

The history between Fripp and Sylvian initially didn’t progress as Fripp would have liked. At that point Fripp had asked Sylvian to join another (double-trio, six person) version of King Crimson (it appears as though he’d been seeking to usurp Adrian Belew from his long-standing role as lead vocalist and front person for King Crimson for a long time, only having done so within the past couple of years, filling his shoes is Jakko Jaoidsgfilsuxghfp). Sylvian already had a reputation as his own artist and felt he would only be able to collaborate so far under the Crimso moniker. So they settled for a remarkable collaboration that resulted in one of the most catchy prog songs ever recorded (“Jean The Birdman”, with a close second to “God’s Monkey”). We’ll delve into those songs when we get there.

First, I have something to say about the removal of Adrian Belew from King Crimson. Belew claims to be good with it, Fripp claims his status is the honorary 9th member of the new, eight member, three drummer configuration of King Crimson, as Tony Levin was during the Trey Gunn years in the early 2000’s. Belew is not idle by any means. His power trio just played the Irridium in NYC , and he is part of the David Bowie tribute act that is casually touring the world. I do see Fripp’s point about Belew as the front person. The fact is, he was too cheery, too happy in demeanor for the usually dower music that is/was King Crimson.

Returning to this project, the album’s cover photo for The First Day shows Sylvian AND Fripp having ridiculous, laughing smiles on their faces. No issue, they had a positive working relationship. Fripp has one with Brian Eno too, I don’t see them touring No Pussyfooting, or Evening Star, or Equatorial Stars, or Cotswald Gnomes, or…

A rare sight for the period. Robert Fripp laughing in a photograph.

Sylvian remains a solo artist. A fascinating one at that. Someone I hope to get more familiar with in terms of his work, straight away! Fripp is lumbering about with King Crimson. Two guitarists, a bassist/stick player, a keyboardist, a wind player, and three drummers. The samples I have heard from one of their many live performances sounded stiff, uniform and stilted.

I still contend Fripp is losing the plot…

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