Posts Tagged ‘Adrian Belew’

DAVID FITZPATRICK GREETS US WITH A WHIRLWIND THAT IS PARACHUTES IN HURRICANES

August 10, 2018

David Fitzpatrick puts his name on the line for Parachutes And Hurricanes. Photo courtesy the internet

I love Gary Tanin. I really do. He’s been a fan of this blog way back before it was this blog. The history between us goes back to when I was writing for Princeton Record Exchange. I don’t recall what review I wrote that garnered his attention there, but he came along when I decided to blow off the other two stores I was writing for and forge out on my own.

For that I will always be grateful. But I fear this is where all good things must end.

All throughout this blog’s history, I have made every effort to look for the unusual, the out-of-the-way, off-the-beaten path stuff. Having first been born and raised in the NJ/NY area, I was influenced by that fringe that was all around then. Free radios in cars blasted new and unusual stuff with the birth of FM radio. WPLJ, so on etc. So while I was getting the fresh info and news and new music, my family was imploding and my mother had to take me away from all that culture…

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OFF THE RECORD: FRIPP/SYLVIAN CAUGHT LIVE, BUT WITHOUT DAMAGE!

July 3, 2018

This is what you want if you want to hear some alternate versions of Sylvian/Fripp songs from the live CD ‘Damage’.

Robert Fripp and David Sylvian collaborated in the 2000’s to bring us two albums, The First Day, and the follow-up live disc Damage. Those are the two commercial releases that the combo put out. However, we have our hands on an off-market release called “Live From Massey Hall” from our supplier of all things off-market, Live Gig Recordings (look for their link later on in this review).

The history between Fripp and Sylvian initially didn’t progress as Fripp would have liked. At that point Fripp had asked Sylvian to join another (double-trio, six person) version of King Crimson (it appears as though he’d been seeking to usurp Adrian Belew from his long-standing role as lead vocalist and front person for King Crimson for a long time, only having done so within the past couple of years, filling his shoes is Jakko Jaoidsgfilsuxghfp). Sylvian already had a reputation as his own artist and felt he would only be able to collaborate so far under the Crimso moniker. So they settled for a remarkable collaboration that resulted in one of the most catchy prog songs ever recorded (“Jean The Birdman”, with a close second to “God’s Monkey”). We’ll delve into those songs when we get there.

First, I have something to say about the removal of Adrian Belew from King Crimson. Belew claims to be good with it, Fripp claims his status is the honorary 9th member of the new, eight member, three drummer configuration of King Crimson, as Tony Levin was during the Trey Gunn years in the early 2000’s. Belew is not idle by any means. His power trio just played the Irridium in NYC , and he is part of the David Bowie tribute act that is casually touring the world. I do see Fripp’s point about Belew as the front person. The fact is, he was too cheery, too happy in demeanor for the usually dower music that is/was King Crimson.

Returning to this project, the album’s cover photo for The First Day shows Sylvian AND Fripp having ridiculous, laughing smiles on their faces. No issue, they had a positive working relationship. Fripp has one with Brian Eno too, I don’t see them touring No Pussyfooting, or Evening Star, or Equatorial Stars, or Cotswald Gnomes, or…

A rare sight for the period. Robert Fripp laughing in a photograph.

Sylvian remains a solo artist. A fascinating one at that. Someone I hope to get more familiar with in terms of his work, straight away! Fripp is lumbering about with King Crimson. Two guitarists, a bassist/stick player, a keyboardist, a wind player, and three drummers. The samples I have heard from one of their many live performances sounded stiff, uniform and stilted.

I still contend Fripp is losing the plot…

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CONVERGENCE ALERT! ADRIAN BELEW JOINS WITH POLICE DRUMMER STEWART COPELAND AND LEVEL 42 BASSIST MARK KING TO FORM THE SUPERGROUP OF ALL TIME, GIZMODROME!!

May 26, 2018

What happens when a goofball drummer joins a funkoslap bass player, a happy-go-lucky noisemaker guitarist, and a virtuoso keyboardist? Gizmodrome! Photo courtesy Gizmodrome and the internet.

You hear me going on about convergence all the time. This artist I like works with that artist I like. Convergence. Laurie Anderson and Peter Gabriel, the artist who will no longer be named in this column and The Residents, Robert Fripp and Daryl Hall, Talking Heads and Eno, Eno and Devo, Fripp and Bowie, Bowie and the guitarist who is a member in this most unusual band we are about to review, Adrian Belew and if you want circular closure, Adrian Belew and Laurie Anderson.

Slap bassist extraordinaire Mark King has had his unique sound in every household guaranteed. If someone can honestly tell me they haven’t heard the song “Something About You” before, they are either VERY old (and I’m 55, so I know old) or live under a rock. King is one of those ‘taught-myself-how-to-make-a-living-at-this-thing’, type of players. Sophisticated playing with an innovative knack. I could go on about his co-collaborators outside Level 42, but this will be long enough.

The one member I know little about it Vittorio Cosma. He is the host of the band, in Italy. Italy is key to this band’s story as Copeland used the Italian backdrop to lure Belew to compliment the existing band Gizmo. King had opened for The Police back in the day, so Copeland recruited him and with those additions, the band Gizmodrome was born!

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THE MUSICAL COMET THAT IS LORD RUSS RETURNS WITH FUTURISTIC VISIONS OF THE PAST. HAVE YOU HEARD???

July 17, 2017

The newest take on some established songs, done Lord Russ style! Photo courtesy Russ Brooks

Lord Russ has a past with this blog. That sounds so sordid, doesn’t it? But that ‘past’ is a good one! Lord Russ found me while I was still with Princeton Record Exchange. He took advantage of my open position that “if you have the balls to accept what someone who knows something about music has to say about yours, bring it!” and brought me his first delightful album Heir Of Mystery! Easily the best “indie” (in the truest sense of the word, Lord Russ’ neighbor, Mark Mulcahy and his band Miracle Legion roadied for themselves on their recent reunion tour, set up, tore down, and loaded out, here’s a band that’s been on TV, David Letterman, Adventures Of Pete and Pete, too numerous to list, having to roadie their own shows because that’s how the record industry is now) disc to come my way this year. The fortunate part of the Miracle Legion show was the availability of two new releases, two double live CDs, one from Miracle Legion, and one from Polaris. The difference being, no Ray Neal in Polaris, his place was filled by another Lord Russ neighbor, Henning Ohlenbusch who played lead guitar and allsorts. The CT/Mass music scene is a very intriguing one. If what Fatso Jetson leader Mario Lalli claims is correct, the High Desert/Wonder Valley scene is dead.

But I digress…

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The Silence Of The Hands That Made The Most Wonderful Sounds… Allan Holdsworth, April 16, 2017

April 16, 2017

Holdsworth doing what he loved with those he loved. Photo courtesy of MoonJune

I didn’t want to get into doing obituaries. But when we lose a talent of the likes of Allan Holdsworth, words must be expressed. I was first fully exposed to Holdsworth’s amazing playing was through his work with the band Bruford. This exposed me to Jeff Berlin (the other Jeff B,) keyboardist Dave Stewart and when Holdsworth was not able, “the unknown” John Clark would fill in.
I had been on a steady diet of King Crimson, I was at the point where I was digging into King Crimson members solo efforts (this was the early 80’s incarnation, Fripp, Belew, Levin, Bruford) when I came across the Bruford albums. Had them special ordered from out of the country. The old completist “had-to-have-them” ethos.
Well when the very first notes from Holdsworth came through, I, as a guitarist changing styles from pop to prog was dumbstruck. The athletic strides of the notes coming from the fretboard, utterly, and totally amazing!! I had never heard a player like him in all my years.
Doubt I will again…
From the desk of MoonJune Promotions, who handled Holdsworth’s promotion:
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Dear Friends in Music
Today is a very sad day for me.
R.I.P. Allan Holdsworth (August 6, 1946 – April 16, 2017).
There is no greater measure of a life well lived than the amount of people he had impacted, and by that measure the artist Allan Holdsworth lived a very good life. This man took a plank of wood, a few strings, and some wires and transformed people’s lives in a way that few others have. The ultimate genius of the rarest kind. One of THE greatest musicians ever lived. So much history with Allan between 2001-2016.
You will be missed forever, Allan – Yo Ol’ Geezer, i love You.
Rest In Peace.
​​​​​​​My deepest condolences go to his daughters Emily and Louise, his son Sam, and his granddaughter Rori, and everybody else who loved this truly unique man.
Nardini
All right then, then….
Can I Get You Another One While We Are Waiting?
Leonardo Pavkovic
MoonJune Music, New York
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I really am trying to avoid being the blogger of death, but it seems to keep rearing its ugly head. I have many fears for 2017, the Mets winning the world series (for a true Met fan, all this means is the further commercialization of the team), nuclear war from Jung-Un, Trump, Putin, even the domestic effects of Trump. But my biggest fear? We will have a repeat of 2016 and there will be more, wholesale, devastating passings to deal with.

THE MASS EXODUS I HAD FEARED SINCE CHILDHOOD IS HERE NOW!

April 4, 2016

Sorry folks, no photos of album covers or artists performing live in this blog. In fact, we are embracing the here and now, with a morose eye towards the future. I never thought I would be posting something like this, but in the light of recent events (read: the massive amount of influential musicians who are passing away at a pace none of us can keep up with), I really had no choice. This was a necessity above and beyond my ordinary macabre nature.

For me, I think it started with the death of Alan Myers, the original drummer for Devo. It was a severe blow when a short time later, his bandmate and co-founder of Devo, Robert Casale also (and most definitely unexpectedly) passed away.

Then the onslaught began.

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THE KING IS DEAD, LONG LIVE KING CRIMSON! KING CRIMSON LIVE IN ARGENTINA 1994

October 1, 2015
King Crimson Live In Argentina 1994 from the Thrak tour. Photo courtesy DGMLive.

King Crimson Live In Argentina 1994 from the Thrak tour.

I don’t much care for revisionism. Yet I get sucked into it time after time. I posted on the accompanying Facebook page for this blog, https://www.facebook.com/groups/bouleblog/, that the there will be changes on this blog. Well here they are. I tried to ‘play nice’ as the saying went. I tried to appease all the people who submitted work for me to review. I found myself watering down my utter loathing for certain acts and more importantly I was allowing my disdain for certain acts to dictate my rate of reviews. Yet after making promises to people to review music outside my comfort zone, and having those people demand edits, the not bother to repost my efforts in an effort to promote a show for these people, I’M OUT!

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OH THE HUMANITY! POSSIBLY THE LAST CHRIS ARDUSER SOLO ALBUM EVER!

January 14, 2015
The new and possibly last solo album from BouleBlog favorite Chris Arduser. Cover photo courtesy Crooked Mile Records.

The new and possibly last solo album from BouleBlog favorite Chris Arduser. Cover photo courtesy Crooked Mile Records.

Long since the inception of this blog, which started through Princeton Record Exchange, I have enjoyed reviewing Chris Arduser’s work in order to put him in front of the popular view. Since discovering him with the Bears (featuring Adrian Belew) I have really enjoyed Arduser’s contribution to the Bears work as well as with the psychodots, including long-time bandmates Bob Nyswonger and Rob Fetters. But not only his work in bands such as the Bears and psychodots, Arduser on his own has quite a collection of solo albums, the last of which Hapless, was reviewed by this intrepid blogger for the Princeton Record Exchange (it may also appear as a Friday Flashback on this very blog).

There does appear with one overshadowing rumor with this release, that rumor being that this will be the last Chris Arduser solo album. If this does prove true I can only put this in the category of tremendous tragedy. Arduser’s solo albums have brought me many joyful hours, and I feel if they had gotten greater circulation throughout the music community nationwide, hell, worldwide, he would be a much bigger act then he is now. Not that he’s a nobody. Arduser is one of the biggest names in the Cincinnati music area especially when it comes to percussion. Basically if you’re in the Midwest he’s your go-to guy if you want a session drummer with killer chops. But he’s not just a drummer. I have personally witnessed Arduser play mandolin live with the Bears, and on his solo albums often times he’ll play each and every instrument you would hear; mandolin, keyboards, bass, guitar, drums and some instruments one might not expect from a “pop” musician.

Yet Arduser, always ready to throw a monkey wrench into the sound has come up with some very intriguing noises on the new release called Flibbertigibbet. How’s that for a monkey wrench of a title? I think it’s time we dug into Chris Arduser’s latest offering and sit back and enjoy the strangeness!

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THE DEATH OF ROCK AND ROLL AND PROGRESSIVE PART TWO

April 22, 2014
This is King Crimson 2014: Left to right, Tony Levin, Bill Rieflin, Gavin Harrison, Jakko Jakszyk, Robert Fripp, Mel Collins and Pat Mastelotto.  It is what it is.  Photo courtesy DGM.

This is King Crimson 2014: Left to right, Tony Levin, Bill Rieflin, Gavin Harrison, Jakko Jakszyk, Robert Fripp, Mel Collins and Pat Mastelotto. It is what it is. Photo courtesy DGM.

Trust me, I am aware of the implication and ramifications of resurrecting that title. But I have been ruminating about the current state of King Crimson and I have some theories about how this band split into two separate factions.

Let’s catch up first…

Those of you who are faithful to this blog may remember me sticking my size 11 shoe in my mouth when I quoted text from Robert Fripp’s blog claiming he is done with King Crimson because Adrian Belew scheduled dates with his power trio during a Fripp-imposed blackout period to reserve those dates for a possible KC tour on the West coast (so all those TOOL sycophants can make unjust comparisons). This was around April 2009 or so.

The first time I used that headline (sans the “Part Two”), I had some pretty hefty vitriol towards Belew. He even commented on the old syndication site. It’s still an amazing feeling to hear from your heroes, even if it is to bitch slap you back to your senses. Upon further investigation, I found that the issue with the miscommunication between crimsos originated from the Fripp camp (not naming names, don’t need more death threats).

So when I found out Belew (with Julie Slick) was playing my club hangout in Philly, World Café Live, I made it a point to first, get proper clearance to review the album he had just released, ‘e’, then second make things right with Belew. See the header photo on my blog, the photo of Belew and I was taken after I made my public apology to Belew. Ever gracious, he accepted and was super friendly towards my whole team who was present to document the event. (See the repost of the review on this blog site).

Meanwhile, Fripp was embroiled in a battle with each and every major label whose subsidiaries or main labels and any and all websites who had distributed KC material illegally. Thanks to the tenacity of one Sid Smith, Fripp found himself victorious against ALL of these empires (they even helped to topple one, EMI was sold to Sony/Universal). From four big labels down to three.

Once the settlements started rolling in, Fripp reversed his decision to retire from touring, retire from public life, and retire from King Crimson by announcing their revival!

Oh, the exquisite joy, you are thinking…

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PHOTOBLOG: DEAR MARK J. MULCAHY, WORLD CAFE LIVE LOVES YOU – 3-10-14

April 11, 2014
Mark Mulcahy wails on his trusty Epiphone.  Settle in for some amazing songs, stories and smiles.  Photo by Lynn Vala

Mark Mulcahy wails on his trusty Epiphone. Settle in for some amazing songs, stories and smiles. Photo by Lynn Vala

For all intents and purposes, I had retired from covering live shows.  My body is old and beaten, your average concert attendant is more concerned with getting drunk and being obnoxious as opposed to sitting and listening to the performer du jour.  After all, you are talking to someone who was actually kicked in the head during a Nine Inch Nails show!  Some inconsiderate booby was running in the row behind my seat and clocked me in the head with his leg!

This was many years ago, before NIN had become the joke that it is today.

But when I got word through Facebook that Mark Mulcahy was coming to one of my all-time favorite venues, World Cafe Live in Philadelphia, the prospect of seeing Mulcahy live was too overwhelming to pass up.  Retirement be damned!

My first course of action was to reach out to the accommodating folks at WCL, specifically one Danielle F.  For those who have a history with the club, I used to have a relationship with Lauren Squazzo who moved on to greener pastures (as if there are any greener pastures than working at a killer club that has an upstairs bar with a stage for local and up and coming performers as well as hosting children’s shows, but is also affiliated with and houses Drexel University’s WXPN radio and has a killer theater/restaurant/bar in the lower level that has hosted acts from John Wetton, Laurie Anderson, Todd Rundgren, Robert Fripp’s words and music tour, to date his last solo US tour, Adrian Belew, Adrian Belew’s Power Trio and Power Trio bassist Julie Slick, a Philly native, as well as more that I am forgetting).

Every good wish to Lauren, but Danielle is equally a joy to work with.

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