Posts Tagged ‘Alain Johannes’

FUCK YOU, FUCK THIS, FUCK THAT AND FUCK THEM. NOW THAT I HAVE YOUR ATTENTION, FATSO JETSON’S “IDLE HANDS” IS WHAT YOU NEED TO HEAR!!!!

August 8, 2017

If you see this disc on sale anywhere, buy it and play it everywhere. Photo courtesy Fatso Jetson

I have long been fascinated by the Desert Rock scene emanating from the Palm Desert area in California. So many quality acts have come out of there, Queens OF The Stone Age (QOTSA) most notably. But there are more acts, Kyuss made a mark, The Dwarves, and some of the names read like a who’s who of music: Nick Oliveri, Blag Dhalia, Alain Johannes (who is currently on tour with P.J. Harvey), and everyone knows this band’s name thanks to global terrorism, Eagles Of Death Metal (if you live under a rock, this was the band that was targeted at the Bataclan massacre in November, 2015).

But there is one band I have not mentioned. Fatso Jetson (FJ). Out of all the bands that rose out of Palm Desert, FJ have to be the heaviest, most groove oriented of the lot. Yes, I know QOTSA are quite heavy on their new album, Villains but I can’t make any judgement on that, it’s not out yet, save for the few songs that have been leaked. I prefer the whole package…

It can be told that I got my hands on the latest disc from Fatso Jetson called Idle Hands. It would seem that all the time spent in the desert ingrained in these guys a rough, take no prisoners approach to song crafting. It comes through during the entire disc.

I know these guys aren’t household names. But they should be. Maybe it’s that familial connection that makes these guys so tight. The lead vocalist and guitarist is Mario Lalli, guitar is also played by Dino Von Lalli, bass is played by Larry Lalli, and drums by Tony Tornay with the addition of Mathias Shneeberger keyboards, guitars, bass and vocals. As it turns out my favorite lyrics on this album were in fact written by Sean Wheeler who also wrote words for “Portuguese Dream” and “The Vincent Letter” (later on in the album).

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QUEENS OF THE STONE AGE BEAT THE BLUES WITH THE BLUES …LIKE CLOCKWORK

June 14, 2013
Illness, depression, failure, all rolled up into one bad trip.  Queens Of The Stone Age and Josh Homme will take you along...

Illness, depression, failure, all rolled up into one bad trip. Queens Of The Stone Age and Josh Homme will take you along…

Where does one begin to detail the woe that begot …Like Clockwork?  For Josh Homme, the woe begins with a relapse of his knee ailment that had been plaguing him since the Lullabies To Paralyze era when he was on tour in Europe.  The concert tour for Lullabies To Paralyze yielded a DVD, Over The Years And Through The Woods, which was released on both video and audio.  During the video, at a point around “I Never Came”, he asks the audience who wants his cane and throws it out to the crowd, then instantly winces as it flips precariously into the sea of craniums.

During this tour, Homme was also infirmed with a respiratory ailment.

Not to mention, it can’t do one’s mental state any benefit to run out your label contract.  Interscope had been micromanaging Homme about how they wanted this album to sound, to the point where Homme FIRED (yes, the final word out there is Homme fired) drummer Joey Castillo about ¾’s of the way though the process of making …Like Clockwork.  So it is no surprise that this record is on both Homme’s ‘Rekords Rekords’ label, and new Queens Of The Stone Age distributing label is Matador out of New York City.  An upstart indie label, not exactly the powerhouse that Interscope was.

More reason to worry.

Be mindful of the fact that Homme and wife Brody Dalle (Distillers fame) have two children now.

So it was to his additional terror that Homme spent four plus months bedridden following surgical difficulties and complications.  This sent Homme into a funk of uncertainty.  It then fell on to the four core members of Queens Of The Stone Age to cajole Homme into making more Queens music.  He agreed, but there were conditions…

First, Homme initiated all four into his own personal anguish.  Homme felt that for the band members understand why he would be writing some dire, introspective and (even for Queens) unusual music, they needed to walk the proverbial mile in his shoes.

Once he took the members down to his level, emotionally speaking, he took them with him all the way back to the first album.  Homme secured the rights to the first Queens Of The Stone Age self-titled album, remixed it, added bonus tracks and distributed it from his own Rekords Rekords label.  Yours dubitably managed to see this tour at Terminal 5 in New York City.  The review was posted here recently as part of our Friday Flashback.

Then came what was perceived by uninvolved band members as the unthinkable.  Homme fired long time drummer Castillo.  Songs For The Deaf drummer Dave Grohl was called in to play on some of these quirky introspective tunes.  As the album was recorded in Homme’s Pink Duck Studios in Burbank, a cast of quality performers and old friends were brought in.  Friends like Nick Oliveri, Alain Johannes, Mark Lanegan, Trent Reznor, Scissor Sisters’ Jake Shears, Dalle, Elton John, Alex Turner, James Lavelle, and two drummers of note: first, Joey Castillo.  Some of what he did was good enough to make the final cut.  Second, former Mars Volta drummer Jon Theodore.  Theodore is of note because he is the touring drummer for Queens Of The Stone Age now!  Will he be a member?  You need to recall that Queens started as a rotating band.  People came in, people went out.  No telling if Queens will become the new Spinal Tap…

This cast of rock royalty is joined by the four full-fledged members, Homme, Troy Van Leeuwen, Mikey Shuman and Dean Fertita.  Let’s see where this musical mass carries us on its rampage to ruin.

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