Posts Tagged ‘Bill Bruford’

ROXY MUSIC- A LOOK AT THE PREMIER PROG-GLAM BAND WITH THE VIDEO STORY MORE THAN THIS

July 21, 2018

Gaze upon the glam! You can with the DVD More Than This, The Story Of Roxy Music. Photo courtesy of Amazon

My long time mentor back in the 80’s (Storkasaurus Maximus) had introduced me to one Brian Peter George St John le Baptiste de la Salle Eno, RDI, mostly through his Ambient works. If you feel like you are harried, unravelling, uncontrollable, put everything you have aside and just listen to any of his Ambeint series, Music For Airports is a particular pulse calmer. A more commercial route to Avant Eno would be his Music For Films, Vol. 1. There are shorter “songs” with equal amounts of signal-mutation, time-altering melody mangling but in three to five minute increments.

So Imagine my shock when I saw my first Roxy Music video (Virginia Plain) and I was hooked. Then, as the shots hop around the band FOLY FUCK THAT’S ENO! A long blond-ish-colored hair, heavy glam make up, and an outfit to rival future co-conspirator, the late David Bowie. And if that weren’t enough, and by gawd it ought to be, every time the song comes to the measure or so of rest, it’s Eno raping a synthesizer unaccompanied!

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THE MUSICAL COMET THAT IS LORD RUSS RETURNS WITH FUTURISTIC VISIONS OF THE PAST. HAVE YOU HEARD???

July 17, 2017

The newest take on some established songs, done Lord Russ style! Photo courtesy Russ Brooks

Lord Russ has a past with this blog. That sounds so sordid, doesn’t it? But that ‘past’ is a good one! Lord Russ found me while I was still with Princeton Record Exchange. He took advantage of my open position that “if you have the balls to accept what someone who knows something about music has to say about yours, bring it!” and brought me his first delightful album Heir Of Mystery! Easily the best “indie” (in the truest sense of the word, Lord Russ’ neighbor, Mark Mulcahy and his band Miracle Legion roadied for themselves on their recent reunion tour, set up, tore down, and loaded out, here’s a band that’s been on TV, David Letterman, Adventures Of Pete and Pete, too numerous to list, having to roadie their own shows because that’s how the record industry is now) disc to come my way this year. The fortunate part of the Miracle Legion show was the availability of two new releases, two double live CDs, one from Miracle Legion, and one from Polaris. The difference being, no Ray Neal in Polaris, his place was filled by another Lord Russ neighbor, Henning Ohlenbusch who played lead guitar and allsorts. The CT/Mass music scene is a very intriguing one. If what Fatso Jetson leader Mario Lalli claims is correct, the High Desert/Wonder Valley scene is dead.

But I digress…

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The Silence Of The Hands That Made The Most Wonderful Sounds… Allan Holdsworth, April 16, 2017

April 16, 2017

Holdsworth doing what he loved with those he loved. Photo courtesy of MoonJune

I didn’t want to get into doing obituaries. But when we lose a talent of the likes of Allan Holdsworth, words must be expressed. I was first fully exposed to Holdsworth’s amazing playing was through his work with the band Bruford. This exposed me to Jeff Berlin (the other Jeff B,) keyboardist Dave Stewart and when Holdsworth was not able, “the unknown” John Clark would fill in.
I had been on a steady diet of King Crimson, I was at the point where I was digging into King Crimson members solo efforts (this was the early 80’s incarnation, Fripp, Belew, Levin, Bruford) when I came across the Bruford albums. Had them special ordered from out of the country. The old completist “had-to-have-them” ethos.
Well when the very first notes from Holdsworth came through, I, as a guitarist changing styles from pop to prog was dumbstruck. The athletic strides of the notes coming from the fretboard, utterly, and totally amazing!! I had never heard a player like him in all my years.
Doubt I will again…
From the desk of MoonJune Promotions, who handled Holdsworth’s promotion:
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Dear Friends in Music
Today is a very sad day for me.
R.I.P. Allan Holdsworth (August 6, 1946 – April 16, 2017).
There is no greater measure of a life well lived than the amount of people he had impacted, and by that measure the artist Allan Holdsworth lived a very good life. This man took a plank of wood, a few strings, and some wires and transformed people’s lives in a way that few others have. The ultimate genius of the rarest kind. One of THE greatest musicians ever lived. So much history with Allan between 2001-2016.
You will be missed forever, Allan – Yo Ol’ Geezer, i love You.
Rest In Peace.
​​​​​​​My deepest condolences go to his daughters Emily and Louise, his son Sam, and his granddaughter Rori, and everybody else who loved this truly unique man.
Nardini
All right then, then….
Can I Get You Another One While We Are Waiting?
Leonardo Pavkovic
MoonJune Music, New York
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I really am trying to avoid being the blogger of death, but it seems to keep rearing its ugly head. I have many fears for 2017, the Mets winning the world series (for a true Met fan, all this means is the further commercialization of the team), nuclear war from Jung-Un, Trump, Putin, even the domestic effects of Trump. But my biggest fear? We will have a repeat of 2016 and there will be more, wholesale, devastating passings to deal with.

THE MASS EXODUS I HAD FEARED SINCE CHILDHOOD IS HERE NOW!

April 4, 2016

Sorry folks, no photos of album covers or artists performing live in this blog. In fact, we are embracing the here and now, with a morose eye towards the future. I never thought I would be posting something like this, but in the light of recent events (read: the massive amount of influential musicians who are passing away at a pace none of us can keep up with), I really had no choice. This was a necessity above and beyond my ordinary macabre nature.

For me, I think it started with the death of Alan Myers, the original drummer for Devo. It was a severe blow when a short time later, his bandmate and co-founder of Devo, Robert Casale also (and most definitely unexpectedly) passed away.

Then the onslaught began.

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THE KING IS DEAD, LONG LIVE KING CRIMSON! KING CRIMSON LIVE IN ARGENTINA 1994

October 1, 2015
King Crimson Live In Argentina 1994 from the Thrak tour. Photo courtesy DGMLive.

King Crimson Live In Argentina 1994 from the Thrak tour.

I don’t much care for revisionism. Yet I get sucked into it time after time. I posted on the accompanying Facebook page for this blog, https://www.facebook.com/groups/bouleblog/, that the there will be changes on this blog. Well here they are. I tried to ‘play nice’ as the saying went. I tried to appease all the people who submitted work for me to review. I found myself watering down my utter loathing for certain acts and more importantly I was allowing my disdain for certain acts to dictate my rate of reviews. Yet after making promises to people to review music outside my comfort zone, and having those people demand edits, the not bother to repost my efforts in an effort to promote a show for these people, I’M OUT!

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SAM LLANAS RETURNS AND ROCKS “THE WHOLE NIGHT THRU”!!!

September 2, 2014
This wise owl knows what's good.  Llanas' new disc is a no brainer, it's great!  Photo courtesy Daystorm Music

This wise owl knows what’s good. Llanas’ new disc is a no brainer, it’s great! Photo courtesy Daystorm Music

Sam Llanas has returned to the market place with his newest effort, The Whole Night Thru. His last album, the live compilation 4/5 Live was merely a teaser as to what Llanas and company were up to. That company is comprised of some vital, undiscovered talent from the Wisconsin cheese belt. I have personally witnessed the soul and expression drummer Ryan Schiedermayer puts into Llanas’ music, having seen the duo live at the Rockwood Music Hall in NYC a couple of years ago. But this album features a full band, not just the duo of Llanas and Schiedermayer. Joining them is lead guitarist Sean Williamson, and bassist Matthew “El” Turner.

With the release of The Whole Night Thru, Llanas bids a mournful good bye to the BoDeans, a move that, as Llanas mentions in a recent press release, is a recalcitrant one. Llanas clarifies the situation: “I think people have this misconception that I left The BoDeans to pursue a solo career, but that’s just not the truth. I never wanted the break up of the BoDeans. It broke my heart.”

Been there…

But as a recent convert to Llanas’ music, and only having heard small snippets of BoDeans tracks, I can tell that even though it was not Llanas’ preference to have the BoDeans disintegrate, he took with him the heart, the soul, and the spirit of his music.

Let’s check out some of that heart/soul/spirit…

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A BOULEBLOG FIRST! TWO REVIEWS FOR THE PRICE OF ONE! SAM LLANAS BRINGS THE PASSION TO THE STAGE WITH 4/5 LIVE VOL. 1, AND A DAY FOR GRACE RETURNS TO THE STAGE TRIUMPHANT!

August 21, 2013
A personalized copy of Four/Five Live Volume 1! It doesn't get much better than that!

A personalized copy of Four/Five Live Volume 1! It doesn’t get much better than that!

AUTHOR’S NOTE:  We are embarking on something new here at the BouleBlog, a double review!!!  There is much going on in the Sam Llanas camp and we have little time to cover it.  So sit back in your favorite comfy chair, grab yourself a lovely beverage, turn your cell phone off and spend some time with Sam Llanas, as well as Doug Vincent in our first epic, single post two part review!  Two for the price of one, and cue that annoying little guy ‘the price is FREE!!!!’

When you see an emotive performer like Sam Llanas live, you get to witness the whole being.  Because when Llanas interprets his songs, time after time he put each and every atom of that being into every performance.  So to get this live disc from Llanas is thrilling because other than the visual of Llanas, you are still going to get powerhouse passion, as well as the full array of human emotions in song form.

For those of you who want to get a live load of Llanas, he will be performing sets in advance of the play A Day For Grace playing in various locations from Virginia, to Denver, to Milwaukee, to Chicago and culminating in a return to New York to play on the stage where it first came to being, Stage Left Studio.  Llanas has been reported to play a set then is joined for the play by Doug Vincent, star and playwright.

I find myself at a slight disadvantage as many of the songs were from Llanas’ BoDeans catalog.  I have not yet gotten myself up to speed on the BoDeans (regrettably).  So I will evaluate the songs I am unfamiliar with on their current merit, how they were performed on this disc, at that moment in time.  Actually, I think that’s fair.  There is no real point in comparison between what was and what is.  Llanas is solo now.  He lives and dies by the bits and bytes he puts on the disc.  But knowing Llanas, he’s not sweating it.  He is a consummate performer, and his backing band is a crew of highly skilled professionals (we’ll get to who plays what later on) who are totally capable of carrying out Llanas’ concentrated compositions.

In fact, here’s some of them now:

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JON ANDERSON AND RICK WAKEMAN AT THE SHERMAN THEATER, STROUDSBURG, 11-05-11. COME FOR THE MUSIC, STAY FOR THE COMEDY!

August 16, 2013
Jon Anderson (right) and Rick Wakeman (left) share the stage at the Sherman Theater, share some Yes songs, and share some laughs.  Photo by Lynn Vala

Jon Anderson (right) and Rick Wakeman (left) share the stage at the Sherman Theater, share some Yes songs, and share some laughs. Photo by Lynn Vala

FRIDAY FLASHBACK:  Seeing as Jon Anderson has taken his music to the sea with the recent launch of a prog cruise, BouleBlog felt this would make a good Friday Flashback.  Yes, this tour is long over, but, if you are fortunate enough, you can get tickets to see Anderson headline on the cruise.  Meanwhile, check out a show Anderson and Wakeman played just beyond my backyard in the Poconos.  Keep your eyes open for some hysterical lines from both of them!  Enjoy!

This blog has exposed me to a lot of new music.  It has also brought me close to many artists, opened many musical doors for me, and I learn something new every time I write something.  This review is unique in that while I was fortunate enough to work with the promoter for Jon Anderson, and his subsequent projects, I got to experience what many say is the heart and soul of progressive rock mainstays YES, Jon Anderson and Rick Wakeman live playing songs from the YES catalog that we all know and love, but also songs from Anderson/Wakeman’s new album The Living Tree.  While this is a review of the live act, I will make a quickie commentary on the album The Living Tree: I am going to get the disc based on the performances I saw at the Sherman Theater.

The Sherman Theater is an old venue in the heart of Stroudsburg, which is undergoing a touch of a renaissance lately.  The Sherman, I would say is undergoing it’s own renaissance, with some new elements and some signs of age.  Will call got our order confused, but such associations with promoters, press agents, etc., usually leads to snafu situations.  Unless person A talks directly to person B, and when I get there I talk to person B, then the situation usually devolves to Situation Normal, All Fouled Up.

While I most likely will recognize the YES tunes, the new pieces from The Living Tree and if Anderson does anything from his new disc Open, I may need help naming them.  Thanks to a cooperative soundman and an equally cooperative stage manager named Neil (if memory serves, no chance of that happening), we managed to take pictures of Jon’s personal set lists.

Ask and you shall receive…

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BILL BRUFORD THE AUTOBIOGRAPHY: A DRUMMER OUT OF TIME

July 26, 2013
Not only does this book give us a drumhead's point of view of one of the greatest drummers to ever pick up the sticks, but it also serves as a 'how-to-run-your-own-band-and-stay-afloat-in-the-cuthroat-world-of-music-management".

Not only does this book give us a drumhead’s point of view of one of the greatest drummers to ever pick up the sticks, but it also serves as a ‘how-to-run-your-own-band-and-stay-afloat-in-the-cuthroat-world-of-music-management”.

AUTHOR’S NOTE:  This week’s Friday Flashback features a book that came out a few years ago.  For all I know it may be out of print or there may only be a few copies left in circulation.  If you have aspirations of forming your own  band, at any level, (amateur, garage, hobbyist, semi-professional or professional) there is educational material within these pages for you to learn from.  The more selfish rationale for reviving this review was, I was completely and totally chuffed when, while reading the Bruford web page, I came across a link to the following review listed on Bruford’s ‘press’ page.  It’s those tiny moments in this avocation that make the hard work, manual labor and occasional dissension among the readers worth it.  Please enjoy!

Back when this blog was in syndication, I wrote an entry about Bill Bruford, announcing his retirement from public performance as of the first of the year.  I was angry, I was hurt, I felt abandoned, and most of all I was disappointed that one of the primary warriors of mundane music had laid down his small wooden swords for the last time.  I could not understand why the world’s greatest drummer would hang it up while he was still undeniably a force in the industry, the industry he labels as ‘the industry of human happiness’.

Sometimes you need a good autobiography to make things clear, to garner the inside perspective.  But be warned, and I was taken aback by what I encountered, the ending of this book is not what you would expect from a player of Bruford’s qualifications.

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WE ARE WELCOMED INTO LORD RUSS’ COURT! A REGAL, ROYAL, RENAGADE REALITY THAT WE HOPE WILL BRIGHTEN OUR LIVES AFTER MAJOR DISILLUSIONMENT…

July 22, 2013
Perhaps too late for the "Ra" era of Utopia, Lord Russ progs his way onto the Psychedelic scene.

Perhaps too late for the “Ra” era of Utopia, Lord Russ progs his way onto the Psychedelic scene.

I’ve never been much for the Ren Faire style.  My least favorite era of King Crimson?  Madrigal.  The only madrigal I could truly stomach was Genesis.  Other than that, just not my thing.

Then there is another connotation for the word “Lord”, it is resident within the BDSM community.  BDSM stands for Bondage, Discipline, Sadism, Masochism, or in layman’s terms, ‘… but whips and chains excite me’.  Oft times male dominants will title themselves ‘Lord such-and-such’ by which the submissive can only address this person.

So there’s that…

After my cursory listens, I think I would do better to identify with a traveling minstrel than a landed master…  But the minstrel keeps finding psychedelics during his journey…

This disc is titled Heir Of Mystery and has an interesting cover, from an Egyptian curiosity vantage point.

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