Posts Tagged ‘Hall & Oates’

ALAN PARSONS, FREE OF THE PROJECT, TRIES ANYTHING ONCE ON HIS PREMIER SOLO ALBUM

September 13, 2019

The first solo album by Alan Parsons. Fresh from a feud-riddled Freudiana with Eric Woolfson.

Before I begin the review I would like to extend a hearty congratulations to Alan Parsons for his Grammy win for the 35th Anniversary Box Set release of Eye In The Sky. It’s always affirming when Parsons get some recognition for his work outside of the dreadful Pink Floyd album and the even more banal Beatles works. I would have liked to have seen him get more recognition for his I Robot album than he got for the other projects. This is yet another unpopular opinion I am sure, but if you want popular opinion, there are millions of other reviewers towing the label dictate. Read them!

Now…

Rock operas are no damn good! If we learn nothing else from this review, we should be at least advised that rock operas can destroy (what the modern music industry would consider) a golden goose. Imagine, you are the head of a record label. Some guy and his pal come to you with a crazy idea that they are going to do a concept album (a good thing), about Edgar Allan Poe. Now, seeing as the median reader age is just a touch younger than I am, Poe was considered the grandfather of Goth. So that would mean dark, forbidding tales of murder, mayhem, deceit, set to catchy prog-rock style tunes.

You would kick their asses right out of the building, never mind your office…

Except ‘some guy’ is Alan Parsons, fresh off of working with Pink Floyd on Dark Side Of The Moon, and having just hung out with The Beatles during their infamous ‘Rooftop Concert’ (the bloke in the orange shirt). Not to mention Al Stewart’s Year Of The Cat album, and Pilot’s debut album From The Album Of The Same Name. If that’s not familiar to you, I KNOW you have heard the Pilot song “Magic” if in no other form, it was bastardized in the commercial for the drug Ozembic. The other guy? Eric Woolfson who was a minor music mogul in that he was managing several bands. Most notably and recognizably Carl Douglas whose song “Kung Fu Fighting” became an annoyance in the mid-seventies. But most importantly, Woolfson was a songwriter. Something Parsons was still finding his way around, but gaining ground quickly being around Woolfson. They share credit on many Parsons Project songs.

And the label was 20th Century Fox. Now the faithful readers of this rag (all two of you) know how I feel about movie production companies owning record labels. I know each and every band member of Miracle Legion will say the same thing; no damn good. As I alluded to before, 20th Century was given a concept album about Edgar Allan Poe and after it, they gave Parsons/Woolfson the boot.

It was at this point, The Alan Parsons Project would truly begin…

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THE END OF THE SILENCE, THE END OF THE IGNORANCE

December 10, 2014
Sometimes, the life of a blogger can be hazardous to that blogger's health. Photo by Lynn Vala

Sometimes, the life of a blogger can be hazardous to that blogger’s health. Photo by Lynn Vala

My WordPress screen prompts me by asking ‘what’s on your mind’? I guess I need to vent, come clean, explain why I have been absent from this blog for months now. Also to explain why a story was posted and then pulled almost in the same day. The story is long and convoluted so I will try to explain why I took a self-imposed sabbatical from this page.

But first, a bit of background on why this is personal to me.

Integrity has always been important to me. I have been asked to leave many bands because my integrity prevented me from playing over-exposed bands/songs such as Creedence Clearwater, or other bands I felt were not challenging enough to my ability as a player or were too commonplace for my liking. The more popular a musical genre, the less I find it appealing other than the finely crafted pop pieces from acts such as Hall & Oates, Foster The People, etc.

As I became older I found that bands who challenged the perceived norm of popular music or who went against the 4/4 popular time signatures lead to new vistas and horizons for me as a musician. Masters such as Frank Zappa, King Crimson and mid to latter era Todd Rundgren and or Utopia. Acts that really had musical meat for me, something I could dig my teeth into both as a listener and a musician.

So when I begin this blog I’ve virtually went into it with little to no restriction other than those imposed upon me by the webmasters. Limitations such as no obscenities, formatting, no artist bashing, promoting record sales… you can see how this would get tedious. Sad to say, one of the better things to ever happen to me might have been when Princeton Record Exchange dissolved it’s blog.  At that point I had to make a decision: Shit or get off the pot. I guess I shit because I am still on the pot!

The decision was made, I would start my own blog, go my own way and blaze my own path. Or so I thought. With this freedom also came a certain perverted perk. People would approach me and ask if I would want to promote either their own disc or an artist they represented. This is where things started to go downhill…

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