Posts Tagged ‘Jakko Jakszyk’

OFF THE RECORD: FRIPP/SYLVIAN CAUGHT LIVE, BUT WITHOUT DAMAGE!

July 3, 2018

This is what you want if you want to hear some alternate versions of Sylvian/Fripp songs from the live CD ‘Damage’.

Robert Fripp and David Sylvian collaborated in the 2000’s to bring us two albums, The First Day, and the follow-up live disc Damage. Those are the two commercial releases that the combo put out. However, we have our hands on an off-market release called “Live From Massey Hall” from our supplier of all things off-market, Live Gig Recordings (look for their link later on in this review).

The history between Fripp and Sylvian initially didn’t progress as Fripp would have liked. At that point Fripp had asked Sylvian to join another (double-trio, six person) version of King Crimson (it appears as though he’d been seeking to usurp Adrian Belew from his long-standing role as lead vocalist and front person for King Crimson for a long time, only having done so within the past couple of years, filling his shoes is Jakko Jaoidsgfilsuxghfp). Sylvian already had a reputation as his own artist and felt he would only be able to collaborate so far under the Crimso moniker. So they settled for a remarkable collaboration that resulted in one of the most catchy prog songs ever recorded (“Jean The Birdman”, with a close second to “God’s Monkey”). We’ll delve into those songs when we get there.

First, I have something to say about the removal of Adrian Belew from King Crimson. Belew claims to be good with it, Fripp claims his status is the honorary 9th member of the new, eight member, three drummer configuration of King Crimson, as Tony Levin was during the Trey Gunn years in the early 2000’s. Belew is not idle by any means. His power trio just played the Irridium in NYC , and he is part of the David Bowie tribute act that is casually touring the world. I do see Fripp’s point about Belew as the front person. The fact is, he was too cheery, too happy in demeanor for the usually dower music that is/was King Crimson.

Returning to this project, the album’s cover photo for The First Day shows Sylvian AND Fripp having ridiculous, laughing smiles on their faces. No issue, they had a positive working relationship. Fripp has one with Brian Eno too, I don’t see them touring No Pussyfooting, or Evening Star, or Equatorial Stars, or Cotswald Gnomes, or…

A rare sight for the period. Robert Fripp laughing in a photograph.

Sylvian remains a solo artist. A fascinating one at that. Someone I hope to get more familiar with in terms of his work, straight away! Fripp is lumbering about with King Crimson. Two guitarists, a bassist/stick player, a keyboardist, a wind player, and three drummers. The samples I have heard from one of their many live performances sounded stiff, uniform and stilted.

I still contend Fripp is losing the plot…

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THE DEATH OF ROCK AND ROLL AND PROGRESSIVE PART TWO

April 22, 2014
This is King Crimson 2014: Left to right, Tony Levin, Bill Rieflin, Gavin Harrison, Jakko Jakszyk, Robert Fripp, Mel Collins and Pat Mastelotto.  It is what it is.  Photo courtesy DGM.

This is King Crimson 2014: Left to right, Tony Levin, Bill Rieflin, Gavin Harrison, Jakko Jakszyk, Robert Fripp, Mel Collins and Pat Mastelotto. It is what it is. Photo courtesy DGM.

Trust me, I am aware of the implication and ramifications of resurrecting that title. But I have been ruminating about the current state of King Crimson and I have some theories about how this band split into two separate factions.

Let’s catch up first…

Those of you who are faithful to this blog may remember me sticking my size 11 shoe in my mouth when I quoted text from Robert Fripp’s blog claiming he is done with King Crimson because Adrian Belew scheduled dates with his power trio during a Fripp-imposed blackout period to reserve those dates for a possible KC tour on the West coast (so all those TOOL sycophants can make unjust comparisons). This was around April 2009 or so.

The first time I used that headline (sans the “Part Two”), I had some pretty hefty vitriol towards Belew. He even commented on the old syndication site. It’s still an amazing feeling to hear from your heroes, even if it is to bitch slap you back to your senses. Upon further investigation, I found that the issue with the miscommunication between crimsos originated from the Fripp camp (not naming names, don’t need more death threats).

So when I found out Belew (with Julie Slick) was playing my club hangout in Philly, World Café Live, I made it a point to first, get proper clearance to review the album he had just released, ‘e’, then second make things right with Belew. See the header photo on my blog, the photo of Belew and I was taken after I made my public apology to Belew. Ever gracious, he accepted and was super friendly towards my whole team who was present to document the event. (See the repost of the review on this blog site).

Meanwhile, Fripp was embroiled in a battle with each and every major label whose subsidiaries or main labels and any and all websites who had distributed KC material illegally. Thanks to the tenacity of one Sid Smith, Fripp found himself victorious against ALL of these empires (they even helped to topple one, EMI was sold to Sony/Universal). From four big labels down to three.

Once the settlements started rolling in, Fripp reversed his decision to retire from touring, retire from public life, and retire from King Crimson by announcing their revival!

Oh, the exquisite joy, you are thinking…

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