Posts Tagged ‘Jerry Lee Lewis’

THE MASS EXODUS I HAD FEARED SINCE CHILDHOOD IS HERE NOW!

April 4, 2016

Sorry folks, no photos of album covers or artists performing live in this blog. In fact, we are embracing the here and now, with a morose eye towards the future. I never thought I would be posting something like this, but in the light of recent events (read: the massive amount of influential musicians who are passing away at a pace none of us can keep up with), I really had no choice. This was a necessity above and beyond my ordinary macabre nature.

For me, I think it started with the death of Alan Myers, the original drummer for Devo. It was a severe blow when a short time later, his bandmate and co-founder of Devo, Robert Casale also (and most definitely unexpectedly) passed away.

Then the onslaught began.

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OTTO AND THE EVEVATORS LIFT US UP AFTER THE DEATH OF AN ART-ROCK-PUNK PIONEER

December 15, 2013
Today's version of Otto and the Elevators has a unique feature; a compact disc in a sleeve on the cover.  For those of us without turntables.  It sits as an add-on to the shrink wrap, so you don't have to open up the package with the valuable cargo inside.  Photo courtesy Gary Tanin

Today’s version of Otto and the Elevators has a unique feature; a compact disc in a sleeve on the cover. For those of us without turntables. It sits as an add-on to the shrink wrap, so you don’t have to open up the package with the valuable cargo inside. Photo courtesy Gary Tanin

It has been a long time since this blog has been active.  We took some time off after the passing of grunge god Lou Reed.  We were given time to pause to think about our allotment on this mortal coil.  Life is too short.  Life is too short to dwell on things that affect us negatively.  Things that present themselves or force themselves on us.  Things that, plain old speaking, we just don’t want to deal with.

For me, that was the new Nine Inch Nails album, Hesitation Marks.

I had begun the review when Reed passed.  My thoughts were not about what Reznor had done on this new album, or how it was more or less a rehash of what he had done before he shuttered Nine Inch Nails around 2009.  I was even slated to see Nine Inch Nails, but most of the parties involved were pretty much ambivalent about the event, so we chose to bypass it.  From what we heard about the show afterward, it was mostly material we had seen live with a FEW new songs inserted into a tired, and over-used set list.

I now regret not catching a Reed show.  It must have been something to see this stalwart musician ply his art onstage.  I had seen his widow, Laurie Anderson a number of times, including the shows Anderson played in New York City nine days after 9/11 at the Town Hall (which yielded a phenomenal double CD live disc).  Her shows were always entertaining, amusing and sometimes haunting.

So when faced with the arduous task of trying to analyze Reznor’s Nine Inch Noise album, it just seemed futile and defeatist.   My heart wasn’t in it.

With Reed (and a few days later, his mother) now passed, and Anderson grieving the loss of Reed, Reed’s mother and her dog Lolabelle, Anderson is gearing up her tour/performance schedule.  It would be grand to see her again, and hopefully get the opportunity to tell her how much she means to us, and how much her late husband meant to all us musicians and music fans.

Before it’s too late.

In the spirit of not being too late, let’s make sure we cover a different act out of the Milwaukee Wisconsin area.  Led by long time BouleBlog associate Gary Tanin, Otto and the Elevators is an album that was recorded in 1973, released in 1975.  The release in 2013 marks the 40th anniversary of the recording.  Not sure how the 40th anniversary of the release will be handled…

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