Posts Tagged ‘Julie Slick’

THE KING IS DEAD, LONG LIVE KING CRIMSON! KING CRIMSON LIVE IN ARGENTINA 1994

October 1, 2015
King Crimson Live In Argentina 1994 from the Thrak tour. Photo courtesy DGMLive.

King Crimson Live In Argentina 1994 from the Thrak tour.

I don’t much care for revisionism. Yet I get sucked into it time after time. I posted on the accompanying Facebook page for this blog, https://www.facebook.com/groups/bouleblog/, that the there will be changes on this blog. Well here they are. I tried to ‘play nice’ as the saying went. I tried to appease all the people who submitted work for me to review. I found myself watering down my utter loathing for certain acts and more importantly I was allowing my disdain for certain acts to dictate my rate of reviews. Yet after making promises to people to review music outside my comfort zone, and having those people demand edits, the not bother to repost my efforts in an effort to promote a show for these people, I’M OUT!

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THE DEATH OF ROCK AND ROLL AND PROGRESSIVE PART TWO

April 22, 2014
This is King Crimson 2014: Left to right, Tony Levin, Bill Rieflin, Gavin Harrison, Jakko Jakszyk, Robert Fripp, Mel Collins and Pat Mastelotto.  It is what it is.  Photo courtesy DGM.

This is King Crimson 2014: Left to right, Tony Levin, Bill Rieflin, Gavin Harrison, Jakko Jakszyk, Robert Fripp, Mel Collins and Pat Mastelotto. It is what it is. Photo courtesy DGM.

Trust me, I am aware of the implication and ramifications of resurrecting that title. But I have been ruminating about the current state of King Crimson and I have some theories about how this band split into two separate factions.

Let’s catch up first…

Those of you who are faithful to this blog may remember me sticking my size 11 shoe in my mouth when I quoted text from Robert Fripp’s blog claiming he is done with King Crimson because Adrian Belew scheduled dates with his power trio during a Fripp-imposed blackout period to reserve those dates for a possible KC tour on the West coast (so all those TOOL sycophants can make unjust comparisons). This was around April 2009 or so.

The first time I used that headline (sans the “Part Two”), I had some pretty hefty vitriol towards Belew. He even commented on the old syndication site. It’s still an amazing feeling to hear from your heroes, even if it is to bitch slap you back to your senses. Upon further investigation, I found that the issue with the miscommunication between crimsos originated from the Fripp camp (not naming names, don’t need more death threats).

So when I found out Belew (with Julie Slick) was playing my club hangout in Philly, World Café Live, I made it a point to first, get proper clearance to review the album he had just released, ‘e’, then second make things right with Belew. See the header photo on my blog, the photo of Belew and I was taken after I made my public apology to Belew. Ever gracious, he accepted and was super friendly towards my whole team who was present to document the event. (See the repost of the review on this blog site).

Meanwhile, Fripp was embroiled in a battle with each and every major label whose subsidiaries or main labels and any and all websites who had distributed KC material illegally. Thanks to the tenacity of one Sid Smith, Fripp found himself victorious against ALL of these empires (they even helped to topple one, EMI was sold to Sony/Universal). From four big labels down to three.

Once the settlements started rolling in, Fripp reversed his decision to retire from touring, retire from public life, and retire from King Crimson by announcing their revival!

Oh, the exquisite joy, you are thinking…

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PHOTOBLOG: DEAR MARK J. MULCAHY, WORLD CAFE LIVE LOVES YOU – 3-10-14

April 11, 2014
Mark Mulcahy wails on his trusty Epiphone.  Settle in for some amazing songs, stories and smiles.  Photo by Lynn Vala

Mark Mulcahy wails on his trusty Epiphone. Settle in for some amazing songs, stories and smiles. Photo by Lynn Vala

For all intents and purposes, I had retired from covering live shows.  My body is old and beaten, your average concert attendant is more concerned with getting drunk and being obnoxious as opposed to sitting and listening to the performer du jour.  After all, you are talking to someone who was actually kicked in the head during a Nine Inch Nails show!  Some inconsiderate booby was running in the row behind my seat and clocked me in the head with his leg!

This was many years ago, before NIN had become the joke that it is today.

But when I got word through Facebook that Mark Mulcahy was coming to one of my all-time favorite venues, World Cafe Live in Philadelphia, the prospect of seeing Mulcahy live was too overwhelming to pass up.  Retirement be damned!

My first course of action was to reach out to the accommodating folks at WCL, specifically one Danielle F.  For those who have a history with the club, I used to have a relationship with Lauren Squazzo who moved on to greener pastures (as if there are any greener pastures than working at a killer club that has an upstairs bar with a stage for local and up and coming performers as well as hosting children’s shows, but is also affiliated with and houses Drexel University’s WXPN radio and has a killer theater/restaurant/bar in the lower level that has hosted acts from John Wetton, Laurie Anderson, Todd Rundgren, Robert Fripp’s words and music tour, to date his last solo US tour, Adrian Belew, Adrian Belew’s Power Trio and Power Trio bassist Julie Slick, a Philly native, as well as more that I am forgetting).

Every good wish to Lauren, but Danielle is equally a joy to work with.

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PAINTING WITH GUITAR HAS ADRIAN BELEW GIVING NEW MEANING TO THE PHRASE ONE MAN SHOW!

April 19, 2013
Adrian Belew brings his art and music together in one place, The World Cafe Live.  Photo by Lynn Vala

Adrian Belew brings his art and music together in one place, The World Cafe Live. Photo by Lynn Vala

AUTHOR’S NOTE:  Again, the Friday Flashback reaches deep into our available archives to bring you a groundbreaking review.  There is a sordid history behind this one which will explain some of the mindset when this was composed.  You see, yours truly was involved in a global controversy because when I first started this column thousands of years ago, I used artist websites as a source of information.  I had been scouring both the website journals/blogs of Adrian Belew, Robert Fripp, Tony Levin, Trey Gunn and Bill Bruford (pertinent to this story and King Crimson).  On Belew’s site I gleaned some information.  On Fripp’s site, I gleaned some contradicting information.  Not knowing which was the truth, I presented what I believed was the truth.  Belew became immediately incensed and called me out on the former PREX blog.  I dismissed it as an artist not wanting to be portrayed as “the bad guy”.

Turns out, Belew was correct.

I was offered the truth by Belew’s power trio bassist Julie Slick’s mom Robin.  A respected author in her own right.  I declined.  I had been caught in the crossfire enough and I will forever go down in history as the patsy who took the fall and reported the end of King Crimson.  NOT my proudest moment, and a tremendous personal loss to me.  But as it turns out, Fripp would go on shortly thereafter to retire from public music performance as Bruford had done shortly after the release of his autobiography.

One more tragic note:  There were literally thousands of photographs taken for this show.  Unfortunately, due to the crash of an IBM machine (yeah, fuck you Bill Gates) those photos were lost forever.  They were great shots as well.  One is utilized in the header to this blog and I will not repeat it here.

Also, this was originally presented as four parts (a photo blog) on PREX and a two part blog on the rest of the syndication.  It is going to be condensed into one humongous blog here because, well, I can!  This was the show where I apologized to Belew afterward and I made up for my transgression by reviewing his previously released e disc, as well as the live DVD of the power trio show and Julie Slick’s debut CD.  For the whole story, read on…

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