Posts Tagged ‘Kurt Neumann’

UNFETTERED BY OPPRESSIVE BANDMATES, SAM LLANAS IS BURNING UP THE SOLO CIRCUIT, BRINGING HIS SPIRITED, SOULFUL AND EARNEST STYLE OF MUSIC TO MILWAUKEE’S LINNEMAN’S, FEBRUARY 9TH!!!

February 7, 2013
Sam Llanas and his faithful Taylor guitar will be bringing his quality style of balladeering to Linneman's in Milwaukee February 9th.

Sam Llanas and his faithful Taylor guitar will be bringing his quality style of balladeering to Linneman’s in Milwaukee February 9th.

Not often in music today are there artists who have not only a natural gift for presenting music, but present it with honest, pure emotion.  If you think what you see in today’s popular artists is raw emotion, I hate to be the one to break this to you, but you have been mislead.  Artists like Lady Gaga, Katie Perry, One Direction, Justin Beiber, and the all-time prat Taylor Swift (no, that’s not a misspelling, it is an English term, look it up, it fits) put on a good show, but they’re emotions are fraudulent at best.  For example, Taylor Swift is 23 years old (or 24, or 22, who cares what the exact number is), she wouldn’t know TRUE heartbreak if it bit her on the bum.

You wanna hear a piece about actual heart destruction?  Then give Gary Tanin’s Love Changes a listen.

Like Tanin’s real emotional album, Sam Llanas is no stranger to putting true feeling into song.  I was lucky enough to get a close-up view of Mr. Llanas in action last September at the Rockwood Music Hall in New York City.  This was my first exposure to Llanas live.  In no uncertain terms, I was blown away.

Llans keeps his chord structures simple, but what he does with those chord structures is nothing less than brilliant.  To squeeze such emotions out of a few open chords equals genius.  I usually review progressive acts.  Music comprised of augmented/diminished chords, alternate bass notes not supporting the root chords, odd time signatures, completed with verbose, madrigal lyrical composition.  It is refreshing to hear stripped down structures supporting words one doesn’t need either a Queen’s English dictionary or a thesaurus to understand.

It makes my job much easier as well.

What makes Llanas so great?  OK, so he uses simple structures and working class lyrics.  If that isn’t enough for you, read on and we will gladly explore more…

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A FIRST FOR BOULEBLOG!!! VIDEO!!! JEFF BOULE INTERVIEWS “A DAY FOR GRACE” STAR DOUG VINCENT!!!

October 25, 2012

While the video itself lacks technical quality, what you are about to witness is a one-of-a-kind, exclusive interview with the gripping two-man show co-star Doug Vincent.  The other co-star, none other than the extraordinary Sam Llanas!!!  Follow the technical advisements attached to the video, and more importantly pay attention to the discourse, the dialog, the message!  I want to thank Mr. Vincent for his kindness, patience and indulgence in our first ever video interview.

I can promise that as we go along the video quality will get better as, with your understand and encouragement, we would relish the chance to grow and expand our capabilities.

In the meanwhile I hope you will enjoy our first video interview with the incomparable Mr. Doug Vincent.

Special thanks to all who helped make this happen, Mr. Douglas Vincent, Mr. Samuel Llanas, Mr. Gary Tanin, Ms. Jessica Belf-Vincent, and any and all who I may have forgotten to list.  We have not forgotten about the Killing Joke MMXII review, but this was too exciting to let slide.

LIFE IS NOT ALL FUN AND GAMES. A DAY FOR GRACE DEMONSTRATES JUST HOW MUCH AT THE STAGE LEFT STUDIO, 9-13-12

September 24, 2012

Sam Llanas (left) and Doug Vincent (right); co-performers of A Day For Grace. Photo by Matthew Staver

AUTHOR’S NOTE:  The themes and language contained in the following play review are best suited towards a mature audience.  We at BouleBlog strongly suggest that readers under the age of 16 please consult your parents or guardian adults regarding the content and if it is proper for the viewing of minors in the household.  Thank you.

We are spreading our wings here at BouleBlog.  This is our first play review!!!  I can hear the nay-sayers now…  “What does he know about plays?  He’s JUST a musician…”  Yeah, just a musician.  The first flaw in that thinking is, I have spent some (academic) time doing theater.  So I can actually speak some of the lingo, blocking, direction, lighting, cues, etc.  Annette Palutis, you should be proud…

From the pre-show buzz, this promises to be interesting.  The basics of the story are, it is about the son of an alcoholic who is expecting the birth of his first child.  Touchy subject, alcoholism.  It hits close to home.  My best thing to ever happen to me did not see her mother for the last 18 years of her mom’s life as her mother preferred drinking over the company of the woman who was ostensibly her only surviving child.  My best thing has issues with abandonment.  This may be out-of-line, but part of the reason I separated from the syndication was to get down in the trenches.  If getting in those trenches means telling the story of my best thing and how she, as a five year old girl, watched her father suffer a cerebral hemorrhage and drop in front of her eyes only a to die a few days later, so be it.

My personal experience with alcoholism brings me back to the last time I saw my father in the house I grew up in New Jersey.  Ah, fond memories of Muzz (that’s what we called him, not dad, not father, but a nickname given to him by his friends because of his stylish upper lip warmer) gripping me by the collar of my shirt on either side of my neck, slamming me against the double door refrigerator DEMANDING that I tell him I loved him.

I can assure you I didn’t.

But as most victims of alcohol abuse can tell you, I did what was demanded of me (self preservation).  I saw my father once more before alcohol consumption took him at age 55.  At my brother’s wedding.  My brother’s wife was smart, she saw him going down the same road, so she left him!  My brother would drown shortly later in an alcohol-related boating accident.  So I am not unfamiliar with the irreversible damage alcohol abuse can do.

But A Day For Grace is also a comedy!  Huh???

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