Posts Tagged ‘The Tubes’

WE RING IN THE NEW YEAR WITH A PRIVATE RESERVE: WITH TOO MANY SONGS AND NOT ENOUGH BAND, BILL SPOONER LAUNCHES FIRST CHUD!

December 29, 2018

The first solo album by Tubes founder Bill Spooner. It is disputed as to whether or not it is truly Spooner’s first as he recorded and released an album under the name of Warren S. Richardson on Cotillion Records in 1969. We’ll be focusing on First Chud.

AUTHOR’S NOTE: I see they have added banner ads to the content on this site. I guess the economy is SO great under Trumonomics, the host site has to make my already annoying content even more annoying with pop-down banner ads. I do not begrudge them. This host site has been great to me for many years. I hope to be able to continue my relationship with them for years to come. But please know it is not my personal preference. However, if that’s what it takes to keep this site going and to maintain the archive of atrocities from my feeble, drug-addled, vitriolic brain, so be it. Additionally, as this is the first Private Reserve review, the concept behind it is, I will review vinyl, imports, rare stuff I have or find for my own collection that might be exceptionally unknown, an artist of personal favor or a piece of artistic quality. The hope is I can turn folks on to things they may not know are out there, and to hopefully resurrect interest in these otherwise lost treasures.

Gonna hope we can cut down on these author’s notes in the new year. And happy new year to you! Let’s launch First Chud…

Some times a band hits a brick wall. Try as they may, try as they might, nothing puts them back on the track they were originally on. For Bill Spooner, that band was the Tubes. For the Tubes, that track was success. I’ve gone on and on about the role Todd Rundgren played in the demise of not one but two recording contracts with two separate labels for the Tubes. For the uninitiated, the first time was after Remote Control on A&M in 1979. Then after the tumultuous Love Bomb sessions, not only were the Tubes dropped by Capitol Records during the 1985 tour, while Rundgren’s Utopia was opening for them, Utopia’s label Passport/Jem/Utopia records just up and folded.

It came around to bite Rundgren on the ass.

While Bill Spooner was on Team Rundgren when it came to the production of Love Bomb, lead vocalist Fee Waybill rallied for the return of David Foster. It was Foster who had spoon-fed the Tubes hits by bringing in ‘ringers’ to write and even record parts on songs! While Roger Steen reproduces the solo on one of their hits, “Talk To Ya Later” from Completion Backward Principle with more passion than the recording, it was actually Steve Lukather who played on recording. Foster brought in Tom Snow to co-write some songs, brought in Martha Davis of the Motels to duet on the cover of “Monkey Time” and more that I’m forgetting most likely.

The only guest Rundgren ever brought in was himself.

Spooner loved having Rundgren around. Spooner picked up a lot from Rundgren. Rundgren would co-opt keyboardist (the late, great) Vince Welnick for tours and recording for years until Welnick would get caught up in that whole worthless Grateful Dead-centric universe that, I feel, would ultimately cost him his life.

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DAVID FITZPATRICK GREETS US WITH A WHIRLWIND THAT IS PARACHUTES IN HURRICANES

August 10, 2018

David Fitzpatrick puts his name on the line for Parachutes And Hurricanes. Photo courtesy the internet

I love Gary Tanin. I really do. He’s been a fan of this blog way back before it was this blog. The history between us goes back to when I was writing for Princeton Record Exchange. I don’t recall what review I wrote that garnered his attention there, but he came along when I decided to blow off the other two stores I was writing for and forge out on my own.

For that I will always be grateful. But I fear this is where all good things must end.

All throughout this blog’s history, I have made every effort to look for the unusual, the out-of-the-way, off-the-beaten path stuff. Having first been born and raised in the NJ/NY area, I was influenced by that fringe that was all around then. Free radios in cars blasted new and unusual stuff with the birth of FM radio. WPLJ, so on etc. So while I was getting the fresh info and news and new music, my family was imploding and my mother had to take me away from all that culture…

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THE MASS EXODUS I HAD FEARED SINCE CHILDHOOD IS HERE NOW!

April 4, 2016

Sorry folks, no photos of album covers or artists performing live in this blog. In fact, we are embracing the here and now, with a morose eye towards the future. I never thought I would be posting something like this, but in the light of recent events (read: the massive amount of influential musicians who are passing away at a pace none of us can keep up with), I really had no choice. This was a necessity above and beyond my ordinary macabre nature.

For me, I think it started with the death of Alan Myers, the original drummer for Devo. It was a severe blow when a short time later, his bandmate and co-founder of Devo, Robert Casale also (and most definitely unexpectedly) passed away.

Then the onslaught began.

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BEARS, PSYCHODOTS, RAISINS GUITARIST AND ADVERTISING COMPOSER ROB FETTERS RETURNS TO THE SOLO ROAD WITH “SAINT AIN’T”. TAKE A TWISTED TRIP WITH FETTERS AND FRIENDS.

April 7, 2014
The cover of Rob Fetters latest offering. Don't bother looking for it at your local mall record store, this is way above their radar.

The cover of Rob Fetters latest offering. Don’t bother looking for it at your local mall record store, this is way above their radar. Photo courtesy Baby Ranch

It must be an amazing personal feat to be able to call upon some of your home-base contemporaries to make guest appearances all over your new solo CD.  It is most likely an even easier feat to accomplish when you have a client list from your commercial jingle-writing career that reads like a veritable Who’s Who of Fortune 500 companies.

Rob Fetters is one of the pre-eminent guitar slingers who hales from the Mid-West.  So when someone with not one but TWO main websites (robfetters.com for his commercial jingle writing career, and robfetters.net for the musical artist career), a musician history including playing with Adrian Belew in a band called the Bears (SUCH an underrated band, they need more exposure because you folks are truly missing out) as well as playing in a band called the Psychodots with Bears members Bob Nyswonger (bass) and Chris Arduser (drums).  There are more bands on Fetters resume that could easily come and go in front of someone’s line of sight, more impressive perhaps is the list of advertising clients Fetters has delivered product to.  Heavy hitters from varied industries such as ABC, Disney, Nickelodeon, PBS, FOX Sports, Olay, Walmart, Luvs, Scripps, MicroSoft, Chiquita, Ohio Lottery, Adventure Aquarium, Penn Station, Dayton Daily News, Frische’s, Cincinnati Children’s Hospital, LaRosa’s, Sea World, P&G, Mercy Health Crest, Fit, Milestone, Tri-Health Hospitals, StarKist, TXU Energy, West Virginia Lottery, Airheads, Newport Aquarium, Intel, First Data, US Bank, Hasbro, Roto Rooter, Totes, Kentucky Lottery, Pitney Bowes, Long John Silvers, Cincinnati USA, The United Way, Contemporary Arts, Cincinnati Bell, Drees Homes, Kellogg’s, United Dairy Farmers…

Just to name a few.

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Outside Inside: Prairie Prince ‘The Tubes’ Rock Drummer/Painter To Create Contemporary Murals in Santa Fe Home November 30-December 4, 2013

November 24, 2013
Prince 003

Prairie Prince behind the kit incognito as one of the “dapper squad”, better known as The Tubes. But expert drumming isn’t the only artistic output available to Prince. Read on! Photo by Lynn Vala

“I’m on the outside/Even though I’m right now, I’m inside the tube/
But I’m telling you how it is from the outside/Outside looking inside.”

-The Tubes, Outside Lookin’ Inside (Outside Inside, 1983)

SANTA FE, NM (November 21, 2013)—Renowned international visual and recording artist Prairie Prince of San Francisco has been commissioned to design and paint original murals for the interior of a newly renovated historic home in Santa Fe.

The residence is a luxurious and lovingly maintained Pueblo style adobe located in the scenic foothills east of downtown.  “Santa Fe has an active film community and art community; it was a perfect match to everything we wanted at this point in our lives. We found this home just by chance and when we walked in, I knew we could make it our dream house,” said the owners.

 

Artist Prairie Prince will be available Saturday, November 30th through Monday, December 4th for onsite interview and photo opportunities with members of the press at the residence in Santa Fe.  To schedule an appointment, or to request high-resolution images, please contact: Kristin Carlson, Think All Day Design + PR, at 505-501-2497 or k@thinkallday.com.

JON ANDERSON AND RICK WAKEMAN AT THE SHERMAN THEATER, STROUDSBURG, 11-05-11. COME FOR THE MUSIC, STAY FOR THE COMEDY!

August 16, 2013
Jon Anderson (right) and Rick Wakeman (left) share the stage at the Sherman Theater, share some Yes songs, and share some laughs.  Photo by Lynn Vala

Jon Anderson (right) and Rick Wakeman (left) share the stage at the Sherman Theater, share some Yes songs, and share some laughs. Photo by Lynn Vala

FRIDAY FLASHBACK:  Seeing as Jon Anderson has taken his music to the sea with the recent launch of a prog cruise, BouleBlog felt this would make a good Friday Flashback.  Yes, this tour is long over, but, if you are fortunate enough, you can get tickets to see Anderson headline on the cruise.  Meanwhile, check out a show Anderson and Wakeman played just beyond my backyard in the Poconos.  Keep your eyes open for some hysterical lines from both of them!  Enjoy!

This blog has exposed me to a lot of new music.  It has also brought me close to many artists, opened many musical doors for me, and I learn something new every time I write something.  This review is unique in that while I was fortunate enough to work with the promoter for Jon Anderson, and his subsequent projects, I got to experience what many say is the heart and soul of progressive rock mainstays YES, Jon Anderson and Rick Wakeman live playing songs from the YES catalog that we all know and love, but also songs from Anderson/Wakeman’s new album The Living Tree.  While this is a review of the live act, I will make a quickie commentary on the album The Living Tree: I am going to get the disc based on the performances I saw at the Sherman Theater.

The Sherman Theater is an old venue in the heart of Stroudsburg, which is undergoing a touch of a renaissance lately.  The Sherman, I would say is undergoing it’s own renaissance, with some new elements and some signs of age.  Will call got our order confused, but such associations with promoters, press agents, etc., usually leads to snafu situations.  Unless person A talks directly to person B, and when I get there I talk to person B, then the situation usually devolves to Situation Normal, All Fouled Up.

While I most likely will recognize the YES tunes, the new pieces from The Living Tree and if Anderson does anything from his new disc Open, I may need help naming them.  Thanks to a cooperative soundman and an equally cooperative stage manager named Neil (if memory serves, no chance of that happening), we managed to take pictures of Jon’s personal set lists.

Ask and you shall receive…

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